Nhlamulo “Nota” Baloyi, a prominent South African Hip-hop music executive, has been living it up in America lately. Not only has he been exploring the country, but he has also been attending various concerts and events. Recently, he attended a Jai Paul concert in Brooklyn Steel and paid around $80 (approximately R1,400 in SA rand) depending on the exchange rate.

While enjoying his time in the States, Nota has been critical of several artists, including Uncle Waffles in the past, who were seen dancing with Ciara recently. However, Nota recently made an interesting observation about the impact of Uncle Waffles’ success on Amapiano artist Young Stunna.

According to Nota, every club he has been to in New York, Atlanta, and Washington over the past three weeks has been playing Young Stunna’s music. Young Stunna could have leveraged this exposure if he was well-connected in the US. Nota believes that Young Stunna is earning far less in SA and could be earning more in the US.

Nota’s observation raises important questions about Young Stunna’s management team. Are they aware of his full potential, and are they doing enough research to boost his brand? It seems that Young Stunna’s music is resonating with American audiences, and there could be significant opportunities for him in the US market.

This situation highlights the importance of having a strong innovative management team in the music industry. A good management team can help an artist navigate the complex music industry, and make important connections for growth. In Young Stunna’s case, it seems that his management team could be doing more to help him capitalize on the exposure he is getting in the US.

 

 

 

 

 

This is not to say that Young Stunna’s success is solely dependent on his management team. As an artist, he also has a responsibility to develop his brand plan and engage with his audience. However, having a supportive and proactive management team can make a significant difference in an artist’s success.

It will be interesting to see how Young Stunna’s career develops over the coming months and years. Will he be able to capitalize on the exposure he is getting in the US, or will he remain relatively unknown outside of South Africa? Only time will tell.